The essential problem with that particular entry was that the movie was too good for the jokes to come easy, but too boring to be really interesting. It was one of those films that was probably safest confined to a room with Mike and the 'bots. Well, it's been let loose now, on a DVD from Image. The black and white cinematography is startlingly clear, the mono sound fairly crisp, and the extras are reasonably extensive. The question, though, is why? Devil Doll is one of those flicks that benefits slightly from having a premise that's guaranteed to be creepy: a living ventriloquist's doll. The Great Vorelli (Bryant Halliday, who comes off as a second- rate Christopher Lee) is a hypnotist who is the toast of London. The most interesting aspect of his act is Hugo, the doll who walks and talks. However, American reporter Mark English (William Sylvester, Gorgo) smells something sinister about Vorelli, especially after the stage artist takes an unhealthy interest in Mark's rich fiancee Marianne (Yvonne Romain, Curse of the Werewolf). The Devil-Doll (1936) is a horror film directed by Tod Browning and starring a cross-dressing Lionel Barrymore and Maureen O'Sullivan as his daughter, Lorraine Lavond. Download Devil Doll (1964) torrent from movies category on Isohunt. Torrent hash: 96d6da5bef3aabab7976cf42dd488f3f7fd18426. How to Fix Devil Doll 1964 Errors Windows operating system misconfiguration is the main cause of Devil Doll 1964 error codes Therefore, we strongly suggest. Overview of Devil Doll, 1964, directed by Lindsay Shonteff, with Bryant Halliday, William Sylvester, Yvonne Romain, at Turner Classic Movies. Devil Doll (1964) Review. It's an interesting story with a great ending, but it's just a short story - a vignette that can't sustain a feature- length film (even one of 8. Devil Doll would've suited an Amicus anthology more, much like its direct predecessor Dead of Night used a dummy as only part of a set of stories. Thrown in the middle of Vorelli's scheming are a lot of boring scenes of Mark in his office, mulling over what to do about the mesmerist. It's not sure if it wants to be a sophisticated thriller or an exploitation horror flick. It settles somewhere in the middle, and thus achieves neither (though it's somewhere closer to scandalous in the included European Continental version, which includes some shots of bare breasts). The DVD's best feature is the running commentary by legendary horror producer Richard Gordon (Fiend Without a Face, Corridors of Blood) and film historian Tom Weaver. It provides a great look into the non- Hammer independent horror scene of Britain, circa the early 1. The track is done interview- style, with Weaver bringing up tidbits of information and Gordon reacting and adding to them. The most interesting stories are about antics that midget Sadie Corre (who was inside the Hugo doll) would pull on the cast and crew. Still, a commentary track is hardly enough to recommend the film.
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